First up, I learned that I need a lot more pre-writing with my newer projects. I've been jaded because of how long I've been working on Aperture. I wrote a couple thousand words for Casanova over the summer, but my sense of the story wasn't as nearly as concrete as I needed it to be. I honestly ran out of my original ideas and plot bunnies by the 13th.
(You can actually see this in my masterdoc. The scenes get progressively shorter and less descriptive until they're almost all dialogue. It's interesting to see and reflect on.)
I've also learned that I suck with plot-driven novels. Aperture is character-driven: there's no overarching plot to it other than the characters growing. Casanova is the opposite. It was supposed to be about Toni completing three tasks in order to "earn" Carter's soul back.
So yeah, there's very little action in Casanova so far. I skipped a bunch of scenes I knew I needed eventually because the whole thing was too structured, and I knew I didn't have enough knowledge in order to make it work.
I also relied on placeholders a lot this time, which turned out really helpful. Only six characters have names in Casanova so far. (Six and a half if you count the Casanova's nickname.) For everyone else, I used "(xx)" so I would be able to catch it easily in re-reads.
Now, in hindsight, I should've used more descriptive placeholders, because there are a couple that I can't remember who they're supposed to refer to. I stuck to (xx) because I could ctrl+f the masterdoc at the end and find how many times I used placeholders. The answer is 597 times, by the way. I haven't checked what it is now that I've replaced Cynthia's placeholders with her name.
(It took me 124 pages to decide on her name. Casanova's first draft is only 182 pages. Also, she's named after my friend @jouycemanor, who was my co-designer on our school's lit mag (ღ˘⌣˘ღ) )
Just like with Aperture, my favorite part of writing this month has definitely been all the dialogue scenes. I personally think that the vignettes with dialogue alone are some of the strongest things I write.
I surprised myself by coming up with new details for the story. The biggest (and most helpful) was giving Toni the power to teleport. I'd known teleporting was going to have to play some kind of role, but I wasn't initially expecting to give Toni the ability. It helped me out a lot in terms of word count -- if I got stuck, I decided to stick Toni and Carter in a different city. Usually Las Vegas. They ended up in Las Vegas a lot.
Something I also didn't expect was Toni's deadpan sarcasm. Carter had it from the start, but Toni was supposed to be a lot less sarcastic than he was. And that didn't happen at all. I think it's actually better that way. I have a hard time toning down my sarcasm when I write.
Toni and Carter also started resembling people I know. Toni's was entirely accidental, and I think I'm going to try and remove some of her resemblance. (I base a lot of characters in Aperture off people in real life, and I don't really want to do the same in Casanova.) Carter's was a little more intentional in that I borrowed a few aspects of someone I know in order to design his background, and I didn't realize that said person had also influenced how I perceived Carter's appearance.
By the time this post goes up, this copy will be with us out in Texas! (That was another reason I got it printed.) I'm really looking forward to seeing Arlington, Texas, where I decided to set Casanova. I've already been on a writing research trip, but this one will be a lot different -- I feel much more organized and focused. I have a lot more to do in a shorter amount of time.
I'm hoping to have a blog post about our trip to Arlington up on the 24th, so please look forward to it! ♥ If you guys did NaNo, I'd love to hear about what you learned about your stories over the month!
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